How does my current research around dance interplay with the technical constraints and potential of architectural glass?
I am using as a basis for this module a live competition brief, the Stevens Glass Prize. This is an annual architectural glass competition from The Worshipful Company of Glaziers & Painters of Glass. This year’s brief is to design and, if successful, fabricate two windows that will be situated within a dance studio at Eastbourne College.
Dance is corporeal and performative and there are many aspects that can be investigated, for example music, movement, rhythm etc. Inevitably this brief lends itself to examining the human form through life drawing and Expressionism to articulate movement and gestures.
Henri Lefebvre wrote an essay about the nature of gestures or dressage and gesture is a common feature of the performance of rap music as well as breakdancing. The sub-cultural dimension of dance, which is not of the theatrical tradition and could be seen as subversive by comparison. Visual artist’s have used dance sub-cultures such as Northern Soul and Rave as a source for their creative practice.
I have also been familiarising myself with Labanotation which is a form of notation used by choreographers. This system is not particularly intuitive to the uninitiated and I have been investigating its possible use to record and present movement and gestures of informal dance moves.
The technical considerations have made it necessary to visit the site and I also plan to visit Proto Studios, an architectural glass fabricators. I am required to provide a sample section and a visual representation of the finished panels in situ. Experimentation of materials will happen once I have settled on a final design.